What makes a story something someone else wants to hear?
We don’t tell stories, “And this happened, and then this happened, and then this happened, and then this, and then this, and this......it’s boring!
MAPS – define exactly what you’re trying to get at and what you’re doing
i. M – Mode, or genre – What type of writing is this? ii. A – Audience – Who is this for? iii. P – Purpose – Why are you writing this? Why would someone want to read it? iv. S – What is it about this piece that sparked it in the first place, or how did it change during the process? What is interesting TO YOU about this piece?
This will lead your editing choices along every step of the way
Dramatic question
More than just making a point
Best if you can create tension – you want something, and someone or something else is in your way
Emotional content
Take a truthful approach to emotional material
This is an excellent way to grab the audience – we all feel emotions, and we read/listen/watch stories in order to access those emotions
If you are not truthful, you risk becoming overdramatic or trivial
Voice
Everybody hates their voice in recordings
Reading vs reciting
i. Practice, practice, practice! ii. You want to sound natural, unafraid iii. Keep it short
Soundtrack
Set the mood
Change our perception
Establish a rhythm
Economy
Keep in mind the visual and the auditory
They complement each other/say different things
Write to the visual backdrop/don’t tell us what we see
Minimum of dialogue and of pictures – Less Is More!
Pacing
The true secret of success – you either sustain or lose an audience’s interest
Visual – panning images slowly or bursts in staccato succession
Audio – starts and stops, pauses, quick bursts of energy
A mechanical rhythm is hard to listen to, and you will lose your audience
- A point of view
- What makes a story something someone else wants to hear?
- We don’t tell stories, “And this happened, and then this happened, and then this happened, and then this, and then this, and this......it’s boring!
- MAPS – define exactly what you’re trying to get at and what you’re doing
i. M – Mode, or genre – What type of writing is this?ii. A – Audience – Who is this for?
iii. P – Purpose – Why are you writing this? Why would someone want to read it?
iv. S – What is it about this piece that sparked it in the first place, or how did it change during the process? What is interesting TO YOU about this piece?
- This will lead your editing choices along every step of the way
- Dramatic question
- More than just making a point
- Best if you can create tension – you want something, and someone or something else is in your way
- Emotional content
- Take a truthful approach to emotional material
- This is an excellent way to grab the audience – we all feel emotions, and we read/listen/watch stories in order to access those emotions
- If you are not truthful, you risk becoming overdramatic or trivial
- Voice
- Everybody hates their voice in recordings
- Reading vs reciting
i. Practice, practice, practice!ii. You want to sound natural, unafraid
iii. Keep it short